

It is a bright and colourful thriller which follows former undercover police officer Brian O’Conner and his old friend Ramone Pierce as they are tasked to infiltrate a drug kingpin’s organisation in Miami. The film centres on a police officer sent to infiltrate this world of fast cars, who ultimately cannot bring his target to justice – because there is no justice in this empty and nihilistic world.Ģ Fast 2 Furious is effectively a soft Miami Vice reboot. It is a moral quagmire, a tribal wasteland in which law and order mean nothing.

The Fast and the Furious is a late nineties undercover urban western about lawlessness in turn-of-the-millennium Los Angeles, of the dead end of the American Dream where young men (and occasional women) drive fast cars in circles to nowhere in particular, living their lives “one quarter mile at a time” without any purpose or any escape. The Fast and Furious franchise exists somewhere in the space between The Fast and the Furious and 2 Fast 2 Furious, but is never quite caught on camera.

He’ll be writing up his account of how the experience of watching movies has changed in the past twenty-or-so years, but I found my rewatch of The Fast and the Furious interesting enough to write a longer-form review of it. I’m rewatching The Fast and the Furious for a separate project, as solidarity with fellow film critic Jay Coyle for his “Cinema of Experience” project to look at the changing face of cinema in the twenty-first century.
